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This is where it started |
Day 2:
Probably due to some combination of relief and exhaustion, I slept neither well nor horribly the first night despite the condition of my room. As well, I had no use for the snow machine that was precariously lodged into the wall so there was no battle to be waged between freezing under a polyester sheet and melting under sweltering humidity.
Although I had no particular agenda for my first full day, it is my habit when landing at a new location to scout the surrounding area on foot. Up until then I'd only seen the inside of hotel lobbies and some evening activity on the boulevard so I decided I would spend the first half of the day orienting myself with the intention of making my way towards Habana Vieja, or Old Havana, where I heard there were many points of interest. First, breakfast.
I know, I know. I said you're not supposed to eat from the buffet, but a) I suspected it would have the safest possible offerings of anything within reasonable traveling distance, b) it was included in my hotel stay. Before I left Mexico I was given very specific diet instructions for the few remaining days of my antibiotic course so I needed to be diligent. I was told I could eat papaya, banana, pear, apple, dry toast, plain white rice, cooked vegetables, herbal tea, grilled chicken no skin, no dairy, no grease/butter/lard, no coffee, no juice, (except apple), no booze, no peanuts, no beans, no pork or beef. Got that? Right.
The buffet had papaya in spades, which in Cuba is called
fruta bomba, and is just plain fun to say. Go ahead, say it. Fun! They also offered bananas in varying degrees of decay, but I was keen to cut the mushy parts out and add it to my breakfast salad. There were too many kinds of bread, but any of it made for decent toast so I had a bit of that. There was linden flower tea, which I never even heard of but fine. I had that. I was well chuffed to get a free breakfast which included foods safe for consumption and only sad I couldn't carry the buffet with me throughout the day. On my way.
I know people like pictures so here's some of what I saw in the neighborhood.
[Note: you can click on any of the photos posted in my blog to see them full size]
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Que Viva! |
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Cine nearest my hotel - dig the font |
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Who knew? |
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Broke down |
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Less janky hotel |
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Waves over El Malecon |
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Coco Taxis |
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Study Work Rifle |
At about mid-day I was making decent progress in my goal towards old-town when I stopped to photograph some graffiti on the side of a building. Seemingly out of nowhere (Cubans are sneaky) there was a nice young man at my side inquiring about my interest in street art and claimed to know many of the local artists. His name is Renier (or something like that) and he's finishing up his medical degree, doing his residency in a hospital nearby and wants to know all about me.
I knew immediately what was happening. I'd been warned by every person I'd met who's been to Havana that this would go down exactly as it was going down. I took about three seconds to assess whether or not I wanted to pay for his services. Yes, yes I did. I was starved for company and some insider information about what to do while there. Also, I needed to practice my Cuban or I would be stuck in a loop around the hotel buffet fruit table for a week. No one wants that.
I'd decided on an approximate maximum that I would pay, which would ultimately depend on the quality and length of our time spent together. You see, these negotiations are what one might refer to as soft, if not totally squishy. There's no up-front discussion of fees for services rendered. Uh-uh. There's a charade that gets played out and I was happy to play along.
First, he took me to the house where the film
Fresa y Chocolate was shot. Charming. Lovely. Next.
Renier's father is longtime friends with an old queen, a world-class Cuban dancer named Tommy who had a documentary made about him in the 90's. He lives just a block away. When I saw the posters for the film on Tommy's wall I recognized it. I'm sure I've seen the film because I've been screening movies about old queens for film festivals since before Tommy retired. His house is like a museum, in fact it may well be the official Museum of Old Queenery of Havana, tea cups and saucers filling up almost every inch of wall space in his funky old house.
Tommy himself is a hoot and holler. He made me sit almost on his lap as he held my hand and recounted stories of his travels throughout the world. Scandinavians? They're too possessive of their personal space. Ask them for the time and they tell you to buy a watch. The Chinese? Meh. Gringos? Depends. Do they kiss Tommy back or do they shy away? Jury is out. He likes me because I'm "exotic" and friendly and I let him hold my had. Since when are Chicanas exotic? Ha! He tried to force a mojito on me but I told him the antibiotics might kill me if I mix them with alcohol and he asked me why I came to Cuba if I can't drink EL RON! Good question Tommy, I dunno. He hugged me some more and kissed my cheeks about a million times more and off we went. Next!
As we made our way down the street Renier asked me why I was taking Cipro and when I told him, his response was, "I would never have prescribed you Cipro, it's horrible. Do you know what it does to your liver and kidneys?" SSSSHHHH! No. Let's move on.
Ok, do I like music?
Is the Pope Catholic?!? Well, this current one I'm not so sure... Yes! I love music. Who comes to Cuba and doesn't like music? Cuba should start it's own embargo against people who don't like music because you have no damn business being in Cuba if you can't appreciate the beautiful combination of African rhythms, Spanish instrumentation and searing vocals that is the Cuban Son. I love Cuban Son and I happen to be in luck because just blocks away (everything good is just blocks away) there's a small club where the most important Cuban Soneros go to keep up their chops. It's where the members of the Buena Vista Social Club used to play before they all died, but their prodigies are having a gathering there in less than an hour and we should go. Agreed!
There are probably all of three people in the small hall at the
Egrem when we arrive so we opt to sit on the patio outside and drink mojitos (him) and virgin-coladas (me). We talk and talk and talk and I can sense him prepping me for his big ask, the plea for money for milk for his baby. There's a part of me that wants to cut the bullshit and just hand him twenty bucks but I'm afraid he'll leave so I sit it out. He doesn't ask. I pay for our drinks and the nominal entry fee into the music room. Which, by the time the band really gets going, has probably all of 15 or 20 people in the audience.
Of course the band was nothing short of fantastic. One of the singers is 95 years old and still sounds clear as a bell. About halfway through the set a very tall and skinny black man dressed like a foreigner (money) walks in and sits right in front of us, joining the only group of Cubans in the joint. Renier leans over and tells me this guy is another world-renowned Cuban dancer,
Carlos Acosta, he lives in the U.S. or U.K. or someplace where people are allowed to buy knit caps with marijuana leaf prints on them. Indeed.
Carlos is introduced and invited onto the little stage by the group's leader where he proceeds, says something to the band and they start to play a rhythmic and repeating musical phrase. Carlos grabs the mic, closes his eyes and begins a poetic recitation over the live groove behind him. He sways and rocks, and between verses he breaks fluidly into dance using every available space. I don't know that I've ever seen anything so spontaneously beautiful happen so up-close. I could smell him he was so close. We left shortly after that.
I was hungry, exhausted and ready to end the act. I asked Renier if I could buy him dinner and he agreed. In the end we split my plate of lobster, rice and salad - too much food for my shrunken tummy - and I gave him $20 for the milk he said he needed for his baby. All in all, a ridiculously small price to pay for an incredible day in La Habana.